Showing posts with label Standup model. Show all posts
Showing posts with label Standup model. Show all posts

Wednesday, August 20, 2008

Kenny Hill Plays Santa Clara

Kenny will be playing a Spruce double top Signature Stand up model at

Doug Young's Acoustic Guitar Night

September 7, 2008 7PM

Mission Coffee Roasting Company
2221 The Alameda, Santa Clara, CA
Directions & Map

Thursday, May 15, 2008

Kenny Hill Plays San Francisco

Kenny Hill in concert
With Teja Gerken and Mokai

Wednesday, May 28, 7:00PM
Bazaar Cafe

5927 California Street, between 21st & 22nd Avenues
San Francisco, CA 94121
(415) 831-5620 e-mail:lmw@bazaarcafe.com

Teja Gerken invited Kenny to play at his monthly acoustic guitar showcase at San Francisco's Bazaar Café, which features both established and emerging players. The performance format is a unique "round robin" where the three players are all on stage for the whole show, each playing one or two pieces, then passing on to the next player, and on around. It's a fun way to listen, and should prove to be an interesting evening of diverse guitar playing.

Kenny will be performing on a guitar he made himself, his most current design Stand-up SIGNATURE model.

Music he will play might include some Scarlatti sonatas, music by James Kline, Andrew York, Barrios, Kottke, Albeniz or Hill.
Kenny has been a performing musician since childhood, playing guitar for over 40 years. His unique ability with the guitar as both an accomplished guitar maker and an accomplished guitar player brings a very personal relationship to the music and to the instrument, and his spin on repertoire for the classical guitar is diverse and refreshing.

You can check out and purchase his PILGRIMAGE CD of classical guitar music - international, mostly contemporary, all beautiful and distinctly personal.

About Teja Gerken:

Today, Teja is no stranger to those familiar with contemporary steel-string fingerstyle guitar. Weaving together influences of folk, jazz, classical, and world music into a style that is uniquely his own, Teja's playing reflects his diverse musical interests. While many of his composition employ alternate tunings, two-handed tapping, percussive effects, and other extended guitar techniques, others simply rely on his keen sense of melody and movement. Within this framework, Teja has created a repertoire that appeals to fellow guitarists as well as to listening audiences, and while original material is his main focus, he can also be found playing Irish traditionals, the occasional jazz standard, or improvising on themes by classical composers.

An active participant in the vibrant San Francisco Bay Area acoustic music scene, Teja is a regular performer at many of the region's venues.

About Moki:
Putting a twist on traditional folk and folk blues styles, Mokai accompanies his soulful vocals with powerful grooves and smokin' blues riffs. His show-stopping set has earned him a reputation as a performer who delivers every time.

His propulsive, fingerstyle guitar drives Mokai’s music, colored by elements of jazz and world music. Playful, then moving, his compositions touch both on big themes and intricate details. The deep commitment in his lyrics reflects years on the front lines of seminal political and environmental movements. This is the same dedication he brings to his performances at benefits for non-profits and important causes, as well as in hospitals and shelters with the Bread and Roses series.

Thursday, March 20, 2008

Almer Imamovic Signature Video File



















Almer Imamovic Plays Hill Signature Stand up Model featuring a double top: Western red cedar exposed, Nomex and European spruce interior. His guitar is Indian rosewood and has an elevated fingerboard, and sound ports.

We recently received a DVD with a number of selections of Almer solo and AlmaNova; Almer and his flautist partner, Jessica Pierce together.

We will post Almer's 3 selections as audio samples in the Player section of our website:
A. Lauro's Waltz #2 & 3, and Asturias.


Here is Lauro's Waltz #3 if you'd like to listen to it now:

waltz3.mp3

You can see each of the video selections posted at Youtube here:

http://www.youtube.com/user/almerguitar

Thursday, January 17, 2008

ALMANOVA plays SIGNATURE at NAMM


NAMM SHOW, ANAHEIM, CA January 17-20, 2008

Almer Imamovic, Classical guitarist, and member of the ALMANOVA DUO, recently chose a Hill Standup Signature model as his performance guitar. He played it with Jessica Pierce, flutist, at the NAMM show in two booths. Tornavoz music booth #5894 and Gemstone booth January 17, 18 and 19 at 11AM and 1:30PM booth 3512.



AlmaNova is a talented, classically trained flute and guitar duo presenting an eclectic program of styles from music all over the world. Each of these diverse musicians has been trained in the classical tradition while exploring other types of music. This great love of all musical genres shines through to their audience by way of dynamic performances and mesmerizing stage presence. AlmaNova has traveled all over the world playing their unique blend of music from the Balkans, Spain, Latin America, and the British Isles.

Wednesday, November 28, 2007

Stand Up and Play update

Kenny Hill, Signature guitar, stand up guitar, classical guitar, double top guitar, nomex, hill guitar company(Current Stand up Model Information @ hillguitar.com)
Last August I played a few concerts and wrote about my Stand Up Model guitar, and it's time for an update. The prototype instrument that I had made at that time was (and still is) very exciting. I had previously worried that changing the body so significantly would somehow hurt the sound, but that first experimental guitar sounded so good, I wondered if the body changes weren't actually beneficial to the sound. The only way to find out was to build more, using various configurations of spruce or cedar tops, Brazilian or Indian rosewood back and sides. Now we've done that, and I actually have 5 Stand Up Model guitars in assorted flavors to try. What I was hoping to find is a sense of what these guitars have in common, both with each other, and with my standard Signature Model guitars.

I have found out one thing — they're good! Very good! If you just grab the guitar and start playing the special Stand Up feature of the tapered body is not obvious, it usually has to be pointed out. If you use it with a strap, as it is designed for, the comfort and ergonomics of the instrument are instantly apparent. Most people adapt immediately. Kenny Hill, Signature guitar, stand up guitar, classical guitar, double top guitar, nomex, hill guitar companyAlso, as I've noted before, the ergonomic feature of tilting the guitar back toward the body that little bit is just as helpful sitting as it is standing.

As for the sound, it is clear, loud, rich, sweet, well balanced, powerful and dynamic. That's all good. I don't really detect any problems, such as a loss of bass or other sacrifices. There just doesn't seem to be a downside.

I don't expect any kind of majority of classical performers to embrace this challenge to tradition. I really began standing up to play just for myself. But I have learned that there are many players who share some of my experience that standing up can really benefit the player from the improved posture, and opens a whole new way of relating to the audience. Also for guitarists who work with singers, flautists, violinists and any other musicians who often stand up to play, it lets you perform on an eye-to-eye, more egalitarian basis.

Over the next couple of weeks I'm showing these instruments to some great performers, teachers and dealers. If you're interested in these Stand Up guitars, please contact me soon. I don't think these will last long.



STAND UP and PLAY

For electric or acoustic guitarists, standing up to play guitar is normal and not surprising. But for a classical guitarist rooted in the Segovia tradition, standing up and playing with a strap hints at some kind of heresy. For me, after sitting down with a footstool for something like 35 years, one day I just had enough. I found my old leather guitar strap from my bass playing days, and found a pair of strap buttons for five bucks at a music store, I drilled my guitar for the screws and I haven't gone back.

At the time I had not been playing too much and I needed some real wood shedding to get back in shape, so with this new playing posture I went through my whole technique-building routine — scales, arpeggios, slurs, stretches, etc. I learned I that anything I can do sitting down, I could also do standing up. It actually only took a few days to get comfortable, and I have not gone back.

It wasn't long before I started thinking about the guitar itself, and I envisioned a way to improve the balance of the instrument by giving the body a taper from top to bottom, that is making the "treble" side wider than the "bass" side. This lets the guitar tilt back slightly, giving the player a little better view of the strings and fingerboard, and making the Kenny Hill, Signature guitar, stand up guitar, classical guitar, double top guitar, nomex, hill guitar companyguitar hang against the chest with more stability and more comfort. It's a subtle change, but a comforting one. It also makes the same sweet ergonomic change for a player seated conventionally with a foot stool.

Making such a major change in the configuration of the body of a guitar is pretty drastic. It changes the volume of air inside the box, and this messes with a major ingredient in the design of the guitar. In doing this I was just praying that I wouldn't hurt the sound of the guitar. To my relief both of the guitars I have done this to sound really great, and with the latest one I'm beginning to wonder if this new box configuration doesn't actually IMPROVE the sound. Wouldn't that be ironic?

Standing up to play definitely improves my playing experience in a number of ways. It's immediately better for my lower back. After so many years of guitar posture I've had my share of aches and pains, and these are simply gone. Also, standing up changes your relationship with the audience, and with the room. It's easier to look around, your peripheral vision is much wider, it's easier to talk to the audience and look them in the eye. Kenny Hill, Signature guitar, stand up guitar, classical guitar, double top guitar, nomex, hill guitar companyOf course this can be a mixed blessing, because under these conditions it can feel more vulnerable, and can expand the range of distraction for the player. But then again, vulnerable is not necessarily a bad thing for an artist, now is it?

The freedom to move around on stage is a whole new world, and can offer another dynamic in relation to the audience. Especially if you're not using a microphone you can select your position on stage, and change it easily. I'm not thinking so much about doing the splits, or power slides across the stage, but even just stepping forward for a quiet, more intimate piece, or moving across the stage can give a different sound perspective to the audience.

Standing up to play guitar can give greater authority to rhythm. Any bass player knows this. Rhythm is measured by the body, and the body is measured by the earth. Standing makes a simple and direct connection between the basic force of gravity and the intellectual effort of guitar playing. The possibility of moving around to the music is more attractive with some than with others, but there it is, for each person, according to their gifts.
Kenny Hill, Signature guitar, stand up guitar, classical guitar, double top guitar, nomex, hill guitar company
I don't see myself ever going back. Now I use the strap even when I'm sitting down and practicing. I did have one old-time hard-liner tell me standing up to play "didn't look dignified" but I thought about how dignified I looked with my back spasmed out, needing help to get on and off the chiropractor's table, and I dismissed his concerns easily.

I've made two of these tapered, Stand Up Signature Model guitars, and I will be making more. At least one of them is for sale now. I have no idea how well this model will sell, but for me in my playing, it's the only way to go.

Kenny Hill
August 2007