Wednesday, February 4, 2015

Congratulations Ashwin Krishna!



Hill Guitar featured player, Ashwin Krishna has been named winner of 2015 ASTA National Solo Competition First Place for Guitar, Junior Division.  

Ashwin is a student of Scott Cmiel at the San Francisco Conservatory of Music Pre-College Program where he has earned a Young Artist Certificate for his study of guitar performance, chamber music, musicianship and music history.  In 2012 he performed at Carnegie Hall for NPR's "From the Top" radio and also placed first in the instrumental category in the Mondavi Young Artist competition. In 2011 he was the first guitarist to win the Pacific Musical Society Competition in the instrumental category.  He has also placed in a variety of regional competitions, including second in the GFA junior division in 2010 and 2011 and first in the 2010 Carmel Classic Guitar Competition.  Ashwin plays a Hill Signature Guitar.

Congratulations Ashwin!



Thursday, January 29, 2015

Amadeus Guitar Duo is coming to Monterey, CA!

Now is your chance to see Amadeus Guitar Duo live in an unforgettable performance!



Dale Kavanagh (Canada) and Thomas Kirchhoff (Germany) have been playing together since 1991 and have given more than 950 concerts in more than 50 European countries and North, Central and South America and Asia. Critics and audiences acknowledge the young musicians bubbling temperament in virtuoso recital, their highly sensitive creative ability in musical phrasing and articulation, and their great guitar-tone, which fills large auditoriums with a warm, rich sound. 



When:  Wednesday, March 11th, 2015
Where: Museum of Monterey
Address: 5 Custom House Plaza, Monterey, CA 93940
Time: Doors open at 7pm; Concert starts at 7:30 pm

This concert is sponsored by Hill Guitar Company, Friedman Eye Center, & Carmel Guitar Society.

Tickets are $25 for general public and $20 for CGS members.
Buy tickets HERE.


For more info on Amadeus Guitar Duo visit their website here.


Hurry and buy tickets now, they will go quickly!

Tuesday, December 30, 2014

Santa Cruz Chamber Players: Black Cedar Trio

Hill Guitar Company will be sponsoring the third concert of the Santa Cruz Chamber Players Concert Series!

Evolution of a New Kind of Trio: The Black Cedar Trio performs Old Europe, the New World, and Asia
Music by Mozart, Paganini, Nathan Kolosko, and Chinery Ung 

Black Cedar Trio, main pose, square, max

Kris Palmer, artistic director and piano
Nancy Kim, cello
Steven Lin, guitar

There was a flowering of trios written for violin, cello, and guitar during the late eighteenth and early nineteenth centuries. Mozart’s Grand Trio in E minor expresses his mood of heartfelt longing over his mother’s recent death. Paganini’s Terzetto shows the brilliance typical in his violin writing, and when performed on the flute instead of the violin, these works create the foundation for modern compositions written for flute, cello, and guitar. Nathan Kolosko’sHungarian Trio is a celebration of traditional Hungarian folk melodies and dances, using compositional techniques that mimic the Hungarian shepherds’ flute, ütőgardon, and cobza. “Life is so delicate,” says Chinary Ung, and his Luminous Spirals, a highly spiritual and contemplative work, reflects this sentiment. It was Ung’s first composition after he emerged from a decade-long hiatus from almost all writing in order to aid his fellow Cambodian countrymen.

Saturday, January 17th, at 8pm
Sunday, January 18th, at 3pm
Christ Lutheran Church
10707 Soquel Drive, Aptos


Tickets can be purchased online HERE.
Black Cedar Trio Website: http://blackcedar.biz/


Buy tickets now, you won't want to miss this!

Tuesday, November 18, 2014

Omni Guitar Series: Beijing Guitar Duo


The second concert in this years Omni Dynamite Guitar series featured the Beijing Guitar Duo. Meng Su and Yameng Wang are the duo players. This was the first time I've seen them in concert, and I was fully captivated by the grace and fluency of their playing from the first notes to the last. Their unity of playing and complete concentration blends together as if they are one player, seamless and united. This must come from their very similar background both in China studies and in their US studies, but more importantly from their own elegance and talents. The ballet of their technique and the waves of their dynamics serves the music and the audience perfectly.

I am always most curious of music that is new to me. Meng Su has made a very nice transcription of the Debussy piano 4 hands Petite Suite, which is a welcome opportunity to listen to this great impressionist composer's music in a guitar concert. Also, Sergio Assad's Jobiniana No. 1 and a composition written for them by Elizabeth Nonemaker, Old Habits, Similar Patterns. These are very contrasting recent works, and a delight to discover. I loaned them two guitars for playing the Nonemaker, and was pleased to place them in their hands for this concert. I enjoyed hearing them, they sounded good.


Both played solo sets as well, Yameng played Barrios, Meng played Tarrega, each of them very good soloist, nice music, all good.


The Beijing Duo is living in Baltimore at this time, and some concert appearances are listed on their website, beijingguitarduo.com. Go see them when you get the chance. Very beautiful, very satisfying.


With Meng Su and Yameng Wang.





Kenny Hill

November 2014

Tuesday, November 11, 2014

China Tour with Johannes Moller

In September 2014 I was privileged to go on tour in China with Johannes Moller. This was an 8 day whirlwind tour of diverse parts of China, around 6 concerts in 8 days. That's a lot of airports, hotels, concert halls, fans
Meeting Johannes at the airport in Shanghai.
and celebration dinners. This was sponsored by my partner and dear friend Alex Wang, marking 10 years in business together with this celebration tour featuring one of my favorite guitarists of all time, Johannes Moller.  

If two months seems like a long time to getting around to blogging about events, it's because it's taken me a while to digest the impact on my outlook and priorities. I think back to around 1975 when I attended the very first Carmel Classical Guitar Festival. As far as I know this was the first classical guitar festival in the USA. Before that I had no idea that there were other like minded people attracted to the sweet sounds of the guitar, at least not so many. There was a special moment in the middle of the festival, on a Friday afternoon at Sunset Center Theater. Richard Stover was giving a lecture with slideshow and recorded examples of guitar in Latin America. He was introducing names and sounds like Barrios, Bonfa, Falu, but the one who really shook me up was Leo Brouwer. He played a recording of the Eternal Spiral as played by Brouwer, and my mind cracked open wide. I finally heard visionary music played on the instrument that I loved, and I knew that anything was possible.
Backstage before the show in Shanghai.

The next time that sort of thing happened was about 3 years ago in San Louis Obispo, when I first heard Johannes Moller play. His performances of his own works, Song to the Mother, Ananda, Star in The Sky, Universe Within, this music did the same thing to me these 40 years later, it opened my mind wide. These pieces are mystical, idiomatic, pure expression of personal passion and the power of the guitar. This music strikes me as the descendant of Brouwer's original
Post-concert celebration dinner.
Plenty of food and drinks!
compositions, at least in the way that it has touched me. Now, since Johannes has been playing many concerts on my guitars, I have heard him often and continue to be moved by the power and immediacy of his compositions, and the presence of his playing. Over the 40 years of my career in the world of classical guitar I have heard many spectacular, inspiring players and moving music. What I long more than anything is creativity, imagination, adventure and personal expression in music. I've been lucky to experience this in many ways, and Johannes is the complete package. He is a virtuoso on any terms, but his ability to reveal such a mystical and passionate musical world through his own music writing is a very personal inspiration, and I love him for it.  


A full house at Johannes' concert in Guangzhou.
I have always advocated for a whole approach to the guitar and its music, this is how I became a guitarist, a composer, and a guitar maker. I appreciate hearing anything new exploring the possibilities of the instrument. I have a special affection for idiomatic classical guitar music that rises from of the instrument, and expands in smart and creative ways. Johannes is a great interpreter and performer, but it is his ability to put himself out there as a creator is most exciting, truly unique, and I think he really is just getting started.

So to go on this tour with Johannes was the fulfillment of a certain circle of life. He is an energetic boy, both 
disciplined and wild. He's a smart observer, both patient and restless. He's a true professional who puts his all into every performance. The hard work and highs
'Selfie' at the factory.
and lows of life on the road are crazy, and we definitely shared many of those things on this whirlwind tour of China. I got to listen to his program, every night in a different city, played on my guitar, and got to know and appreciate the music more and more for all the repeat listenings. I watched the response of the Chinese audiences hearing Johannes' music for the first time, loving it and wanting more. It was a break-through tour that is bound to lead to many opportunities in the emerging Chinese audience, for Johannes and for classical guitar. And it was a powerful personal reminder of the first purpose, the reason for all of the hard work that goes into guitar study, in the workshop, in business, and on the road; it's the music, and all the transcendent moments that music is responsible for. Johannes poked me, pushed me to remember. This has always been true, and it's still true, now more than ever.


Johannes and I with our tour manager, Joshua.  A very successful tour!



Iphone video of "Night Flame"



Kenny Hill
November 2014



Monday, November 3, 2014

From Venezuela to the U.S.!

Carlos Aurrecoechea is a fine guitarist from Venezuela. Last year, after a few months of correspondence he ordered a high end Signature guitar, a sight unseen. Because of very difficult political and economic policy issues in Venezuela it was very complicated for him to get "permission" to buy this guitar from the US, and an even greater challenge to manage the financial challenge from there. I was quite touched that he had the confidence to go through with this complicated and potentially risky transaction, I still don't understand all the barriers that he had to overcome. We made the guitar carefully and the best possible, and when it was done we held onto it until he was able to arrange travel to California to pick it up, he didn't want to rely on shipping, and I don't blame him.

It's an interesting phenomenon that a guitar like this actually seems to improve and mature even when it is just waiting, not even being played. Something happens, it matures, settles in, cures — I can't really explain it, but I have seen it many times. So when Carlos arrived this week to pick it up, the guitar really sounded amazing. Exceptional. It was good from the beginning, but after chilling for months it sounded even better. His playing is beautiful, I'm delighted that he will be playing it a lot in Venezuela. There seems to be a very strong and passionate guitar scene in Venezuela, and he is in the heart of it. It was really great to finally meet him and I'm grateful for the trust he had in the process.


Kenny Hill
November 2014

Thursday, October 30, 2014

Omni Guitar Series: Kazuhito Yamashita

Last Friday night was the first concert of the Omni Guitar Series in San Francisco, Kazuhito Yamashita was the artist. Kazuhito is a friend for many years, and a few months ago he emailed to ask for a guitar to borrow for this concert. I guess he didn't want to travel with his regular guitar. He got to town on Sunday and I loaned him 3 guitars to try out, a spruce Signature, a cedar Signature, and a 630 7/8 size cedar Performance. We got together midweek for dinner and guitar stuff, and it was beautiful to listen to him try out the guitars and talk about them, but I had no idea what he would do in concert, which one he would play — if any, no idea.

Friday night was also the first World Series home game for the Giants, and there was some concern about concert attendance competition from the game, but it worked out fine. The SF Conservatory concert hall was quite full, and I still didn't know which guitar he was going to play. Then as it turned out, he played all three. I was kind of stunned. He played music by Bach, Sor, Mompou, and his wife Keiko Fujiie and by his daughter Kanahi Yamashita, plus several encores that I couldn't name. The range of style and mood and technique was expansive, so beautiful, so thoughtful.



His playing is in a class of its own, in a world of his own. He is legendary for playing arrangements and compositions and collections on a technical level that couldn't be possible, but he does it with both ease and intensity unlike anyone else. His performance is orchestral, from the most tender to the most ferocious, he commands the music and the instrument effortlessly, I soaked up every note. My wife pointed out that the way he moves with the guitar, he fans the guitar in front of him, spreading out the music before the audience like a gift. I've heard him play a few times and I never know what to expect. This was a program so beautifully expressive and inclusive, I will never forget it.

I am deeply grateful for the opportunity to hear him again, and for his generosity in playing these guitars and putting them through their paces. I was humbled to have the instruments in his hands and to hear how effectively they served his purposes. I learned so much listening to him control and play with the guitars, this is what they are meant to do, and they sure enough did it. He had the two Signature guitars for only a few days, and he played the little 630 for the first time during sound check just before the concert. This guy can do anything. Kazuhito is an enigmatic person, smart, quiet, confident, profound and generous. This was a lifetime experience, and I'm very honored to know him.


Kenny Hill
October 2014